Before showing the audience the dinos, Spielberg shows Neill, mouth agape, eyes transfixed but uncomprehending, sweeping his hat off his head, slowly standing up and then — Neill’s coup de grace — snatching his sunglasses off with trembling, claw-like fingers. Seconds later, in the perfect audience communion Spielberg is famous for, Neill’s amazement becomes our own. The actor effectively authors how the audience feels about the movie. It’s the ultimate example of Spielberg Face.